Raster House is a purpose-built LED volume for brands, agencies, and artists who need a canvas that reacts in real time. A nine-and-a-half-meter (31'-2") curved upstage wall — 152 tiles swept through a 45-degree arc — is flanked by two four-meter (13'-1") flat side walls, forming an open U that wraps the camera in 2.6-millimeter (0.10") pixels. Bright enough to key from. Tight enough to photograph without a long lens.
Built for virtual production, music films, product launches, and anything else that deserves a world that moves with the performance.
A pre-launch volume stage opening Q3 2026. We're tooling up to support the work below — early bookings welcome, full case studies on the way.
A shoot at Raster House isn't a venue rental — it's a five-step process that starts the moment you have an idea and ends with footage you can cut with. Here's what working with us actually looks like.
A script, a treatment, a mood board, a song. We sit down together and figure out what world the camera needs to live inside — and what the room can do that location scouting can't.
Plates, panoramas, real-time scenes, stills, motion graphics — whatever the shot needs. Your team or ours, your studio or ours. We prep, parallax, and pre-light the content to look right under your camera before you ever step in the room.
Camera against the wall, content loaded and reviewed, lighting trimmed, blocking walked. The room is dialed in by the time talent steps in — so the shoot day is actually a shoot day.
Content tracks the camera, talent reacts to the world they're standing in, and the light from the wall hits everyone for free. You leave the day with shots — not a VFX list and a six-month post timeline.
Camera files, content masters, metadata, and a record of the day's setups so you can come back and match if you need a pickup. Everything ready for the cutting room before the truck pulls away.